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Study Resources :: Music Resources :: Music beginning with 'A' :: John Mason Neale and the Christian Heritage

Hymns / Music :: John Mason Neale and the Christian Heritage

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by Dale J. Nelson
English Department
Mayville State University
330 Third St. NE
Mayville, North Dakota 58257
U.S.A.

© 1997, Dale J. Nelson. Used by permission.
To request permission to reproduce this text, or to get the full version of the article, click here.

Hymns Supplied Through the Gracious Generosity
of the
Cyber Hymnal Website

Information about Cyber Hymnal Website

We know John Mason Neale (1818-1866) today as a hymnographer, the translator or adapter of ancient and medieval hymns. His works include:

  1. A Great and Mighty Wonder
  2. Again the Lord’s Own Day Is Here
  3. All Glory, Laud, and Honor
  4. Alleluia, Song of Gladness
  5. Around the Throne of God a Band
  6. Art Thou Weary, Art Thou Languid?
  7. Blessed City, Heavenly Salem
  8. Blessed Feasts of Blessed Martyrs
  9. Brief Life Is Here Our Portion
  10. Christ Is Made the Sure Foundation
  11. Christian, Dost Thou See Them?
  12. Come, Thou Redeemer of the Earth
  13. Come, Ye Faithful, Raise the Strain
  14. Creator of the Stars of Night
  15. Day Is Past and Over, The
  16. Day, O Lord, Is Spent, The
  17. Day of Resurrection, The
  18. Draw Nigh and Take the Body of the Lord
  19. Eternal Gifts of Christ the King, The
  20. Eternal Glory of the Sky
  21. Fast, as Taught by Holy Lore, The
  22. Foe Behind, the Deep Before, The
  23. For Thee, O Dear, Dear Country
  24. From Lands That See the Sun Arise
  25. Good Christian Men, Rejoice
  26. Good King Wenceslas
  27. Heavenly Word Proceeding Forth, The
  28. Holy Father, Thou Hast Taught Me
  29. Hymn for Conquering Martyrs Raise, The
  30. Jerusalem the Golden
  31. Jesu, the Father’s Only Son
  32. Jesus, Names All Names Above
  33. Joy Dawned Again on Easter Day
  34. Lamb’s High Banquet Called to Share, The
  35. Let Our Choir New Anthems Raise
  36. Let Us Now Our Voices Raise
  37. Lift Up, Lift Up Your Voices Now
  38. Light’s Abode, Celestial Salem
  39. Light’s Glittering Morn Bedecks the Sky
  40. Lord and King of All Things, The
  41. Now That the Daylight Fills the Sky
  42. O Blest Creator of the Light
  43. O Come, O Come, Emmanuel
  44. O God, of All the Strength and Power
  45. O God of Truth, O Lord of Might
  46. O Happy Band of Pilgrims
  47. O Lord of Hosts, Whose Glory Fills
  48. O Sons and Daughters, Let Us Sing!
  49. O Thou Who by a Star Didst Guide
  50. O Thou Who Through This Holy Week
  51. O Trinity of Blessed Light
  52. O Very God of Very God
  53. O What Their Joy and Their Glory Must Be
  54. O Wondrous Sight!
  55. Of the Father’s Love Begotten
  56. Royal Banners Forward Go, The
  57. Saint of God, Elect and Precious
  58. Sing, My Tongue, the Glorious Battle
  59. Stars of the Morning
  60. That Eastertide with Joy Was Bright
  61. Those Eternal Bowers
  62. Thou Hallowed Chosen Morn of Praise
  63. To the Name of Our Salvation
  64. To Thee Before the Close of Day
  65. When Christ’s Appearing Was Made Known
  66. Wingèd Herald of the Day, The
  67. With Christ We Share a Mystic Grave
  68. World Is Very Evil, The
  69. Ye Choirs of New Jerusalem
  70. Yesterday, with Exultation

John Mason Neale (1818-1866)It is by these and similar hymns that most of us know Neale, if we know him at all. But Neale’s achievements in other areas as well deserve our recognition.

Neale was born in London, England, the son of a clergyman, his father dying when he was five years old. At Cambridge (1836-1840), Neale became a High Churchman, and developed a fascination with church architecture. Even at this youthful age, Neale participated in the catholic revival of the Established Church, as he and some friends founded the Cambridge Camden Society of antiquarians. Their periodical promptly addressed itself to the dilapidated condition of many English church buildings; their recommendations were very influential in the Victorian campaign of church construction, and they came to have many supporters in Church ranks. Americans apt to think affectionately of the tastefulness and charm of English churches will be impressed by the descriptions of ruinous buildings encountered by Neale and his contemporaries. Neale also crusaded against the ugly stoves that were placed in some churches to heat them. One issue of The Ecclesiologist, for example, recorded “a large Arnott stove” in the middle of the chancel, whose flue rose to the height of the priest and crossed his face before exiting the building via a hole in the glass of the north window. Neale especially raged against the high walled box pews—“pues” or “pens,” the Society called them—where wealthy families sequestered themselves in the midst of the common people. In their pews, they might recline at their ease upon sofas, and one local aristocrat even ate lunch during the service.

The Cambridge Society championed the cause of “Victorian Gothic.” The edition of a medieval text on ecclesiastical symbolism that Neale and a friend prepared set forth their convictions about architectural details.

Neale’s health prevented his remaining a parish priest (he was ordained in May 1842), but, in his semi-invalidism, he had much time for antiquarian and scholarly endeavor. From May 1846 on, he was Warden of Sackville College, an institution resembling that of a fictional Victorian clergyman, Anthony Trollope’s “Warden,” Septimus Harding. Like Harding, Neale gave much thought to church music.

Neale held that the hymns of Isaac Watts and other popular composers imparted erroneous doctrine, as well as offending against taste. So in 1842, for example, Neale produced Hymns for Children. However, aside from his carol Good King Wenceslas, it is not Neale’s original compositions that are most widely recognized, but his translations and adaptations of ancient and medieval works, which he worked on throughout his life. The various editions of the annotated hymnal he and his associates prepared—the Hymnal Noted—and his hymns of the Orthodox churches have contributed hymns such as those listed above. It is estimated Neale and his collaborators produced over 400 hymns, sequences and carols.

Another object of Neale’s interest was the history of the Eastern Churches. In 1847, Neale’s book on the Patriarchate of Alexandria appeared. In 1850, it was followed by a General Introduction to the Orthodox church of the East. A third volume, edited by George Williams, appeared in 1873.

One aspect of Neale’s outlook not dwelt upon much by his biographers is his conviction that divine judgment was the lot of those who appropriated property that had been consecrated. With an associate, in 1846 he published, anonymously, an updated edition of Sir Henry Spelman’s History of Sacrilege. The book shows how disasters, the failure of the male line, and/or great excesses of moral depravity came upon persons who took land that had been given to the Church, or their successors. When such lands had belonged to the Church, revenues from these lands had been employed to feed the hungry as well as to support the sometimes luxurious way of life of certain clergymen. Here we see the antiquarian and the man of Christian compassion united.

Such a union is very evident in Neale’s foundation of the Society of St. Margaret, one of the first Anglican conventual sisterhoods (1855). As Warden of Sackville College at East Grinstead, Neale came to know the poverty of some of the nearby villagers. Fever victims might die unattended. So his sisters of charity began their work, with Neale as their pastor-confessor-administrator. However, the sisterhood was verbally and even physically attacked as a wedge of “Romanism” in the English Church. In 1857, the “Lewes Riot” occurred, instigated by an Evangelical clergyman whose daughter had been one of the Sisters, and who had died of scarlet fever, bequeathing 400 pounds to the Society. Neale was used to opposition by then. Years before the Society’s foundation, Neale had been inhibited by the Bishop of Chichester from exercising his priestly duties in the village, evidently on account of the bishop’s resentment of Neale’s church furnishings, etc., at Sackville College.

John Mason Neale had his lighter side, too, as evidenced by a joke he once played on John Keble. As related by Neale’s associate G. Moultrie and quoted in A. G. Lough, The Influence of John Mason Neale (London, SPCK 1962, p. 95):

[Neale] was invited by Mr. Keble and the Bishop of Salisbury to assist them with their new Hymnal, and for this reason he paid a visit to Hursley Parsonage [Keble’s residence]...[Keble] related that having to go to another room to find some papers he was detained a short time. On his return, Dr. Neale said, “Why Keble! I thought you told me that the Christian Year was entirely original!” “Yes,” he answered, “it certainly is.” “Then how comes this?” And Dr. Neale placed before him the Latin of one of Keble’s hymns for a Saint’s day—I think it was for St. Luke’s. Keble professed himself utterly confounded. There was the English, which he knew that he had made, and there too no less certainly was the Latin, with far too unpleasant a resemblance to his own to be fortuitous. He protested that he had never seen this “original,” no, not in all his life! etc. etc. After a few minutes, Neale relieved him by owning that he had just turned it into Latin in his absence.

Never in his lifetime was Neale adequately appreciated in his own church. Neale’s Doctor of Divinity degree was conferred by Trinity College, Hartford, Connecticut, in 1860. At Neale’s funeral the highest ranking clergymen were Orthodox. Neale could never have guessed how much he accomplished for the church and for generations of Christians who would sing the hymns he gave them.

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