1 Corinthians 14:1 (TR)

1 Corinthians 14:7 - ὅμως τὰ ἄψυχα φωνὴν διδόντα εἴτε αὐλὸς εἴτε κιθάρα ἐὰν διαστολὴν τοῖς φθόγγοις μὴ δῷ πῶς γνωσθήσεται τὸ αὐλούμενον ἢ τὸ κιθαριζόμενον

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Translations for 1 Corinthians 14:7

KJVKJV (read chapter in KJV)

And even things without life giving sound, whether pipe or harp, except they give a distinction in the sounds, how shall it be known what is piped or harped?

NKJVNKJV (read chapter in NKJV)

Even things without life, whether flute or harp, when they make a sound, unless they make a distinction in the sounds, how will it be known what is piped or played?

NLTNLT (read chapter in NLT)

Even lifeless instruments like the flute or the harp must play the notes clearly, or no one will recognize the melody.

NIVNIV (read chapter in NIV)

Even in the case of lifeless things that make sounds, such as the pipe or harp, how will anyone know what tune is being played unless there is a distinction in the notes?

ESVESV (read chapter in ESV)

If even lifeless instruments, such as the flute or the harp, do not give distinct notes, how will anyone know what is played?

CSBCSB (read chapter in CSB)

Even lifeless instruments that produce sounds — whether flute or harp — if they don’t make a distinction in the notes, how will what is played on the flute or harp be recognized?

NASB20NASB20 (read chapter in NASB20)

Yet even lifeless instruments, whether flute or harp, in producing a sound, if they do not produce a distinction in the tones, how will it be known what is played on the flute or on the harp?

NASB95NASB95 (read chapter in NASB95)

Yet even lifeless things, either flute or harp, in producing a sound, if they do not produce a distinction in the tones, how will it be known what is played on the flute or on the harp?

LSBLSB (read chapter in LSB)

Yet even lifeless things, either flute or harp, in producing a sound, if they do not produce a distinction in the tones, how will it be known what is played on the flute or on the harp?

AMPAMP (read chapter in AMP)

Yet even lifeless things, whether flute or harp, when producing a sound, if they do not produce distinct [musical] tones, how will anyone [listening] know what is piped or played?

NETNET (read chapter in NET)

It is similar for lifeless things that make a sound, like a flute or harp. Unless they make a distinction in the notes, how can what is played on the flute or harp be understood?

RSVRSV (read chapter in RSV)

If even lifeless instruments, such as the flute or the harp, do not give distinct notes, how will any one know what is played?

ASVASV (read chapter in ASV)

Even things without life, giving a voice, whether pipe or harp, if they give not a distinction in the sounds, how shall it be known what is piped or harped?

YLTYLT (read chapter in YLT)

yet the things without life giving sound -- whether pipe or harp -- if a difference in the sounds they may not give, how shall be known that which is piped or that which is harped?

DBYDBY (read chapter in DBY)

Even lifeless things giving a sound, whether pipe or harp, if they give not distinction to the sounds, how shall it be known what is piped or harped?

WEBWEB (read chapter in WEB)

And even things without life giving sound, whether pipe or harp, except they give a distinction in the sounds, how shall it be known what is piped or harped?

HNVHNV (read chapter in HNV)

Even things without life, giving a voice, whether pipe or harp, if they didn't give a distinction in the sounds, how would it be known what is piped or harped?

VULVUL (read chapter in VUL)

tamen quae sine anima sunt vocem dantia sive tibia sive cithara nisi distinctionem sonituum dederint quomodo scietur quod canitur aut quod citharizatur

NAVNAV (read chapter in NAV)

فَحَتَّى الآلاتُ الْمُصَوِّتَةُ الَّتِي لَا حَيَاةَ فِيهَا، كَالْمِزْمَارِ وَالْقِيثَارَةِ، إِنْ كَانَتْ لَا تُعْطِي أَنْغَاماً مُمَيَّزَةً، فَكَيْفَ يَعْرِفُ السَّامِعُ أَيَّ لَحْنٍ يُؤَدِّيهِ الْمِزْمَارُ أَوِ الْقِيثَارَةُ؟

MGNTMGNT (read chapter in MGNT)

ὅμως τὰ ἄψυχα φωνὴν διδόντα εἴτε αὐλὸς εἴτε κιθάρα ἐὰν διαστολὴν τοῖς φθόγγοις μὴ δῷ πῶς γνωσθήσεται τὸ αὐλούμενον ἢ τὸ κιθαριζόμενον

TRTR (read chapter in TR)

SVDSVD (read chapter in SVD)

اَلأَشْيَاءُ الْعَادِمَةُ النُّفُوسِ الَّتِي تُعْطِي صَوْتًا: مِزْمَارٌ أَوْ قِيثَارَةٌ، مَعَ ذلِكَ إِنْ لَمْ تُعْطِ فَرْقًا لِلنَّغَمَاتِ، فَكَيْفَ يُعْرَفُ مَا زُمِّرَ أَوْ مَا عُزِفَ بِهِ؟

RVR09RVR09 (read chapter in RVR09)

Ciertamente las cosas inanimadas que hacen sonidos, como la flauta ó la vihuela, si no dieren distinción de voces, ¿cómo se sabrá lo que se tañe con la flauta, ó con la vihuela?

RVR60RVR60 (read chapter in RVR60)

Ciertamente las cosas inanimadas que producen sonidos, como la flauta o la cítara, si no dieren distinción de voces, ¿cómo se sabrá lo que se toca con la flauta o con la cítara?

BBEBBE (read chapter in BBE)

Even things without life, having a voice, such as a music-pipe or other instrument, if they do not give out different sounds, who may be certain what is being played?

CHTCHT (read chapter in CHT)

就是那有聲無氣的物、或簫、或琴、若發出來的聲音、沒有分別、怎能知道所吹所彈的是甚麼呢。

EMEM (read chapter in EM)

Aun las cosas inanimadas como la flauta o el arpa, cuando producen sonido, si no hacen clara distinción de tonos, ¿cómo se sabrá lo que se toca con la flauta o se tañe con el arpa?

KORKOR (read chapter in KOR)

혹 저나 거문고와 같이 생명 없는 것이 소리를 낼 때에 그 음의 분별을 내지 아니하면 저 부는 것인지 거문고 타는 것인지 어찌 알게 되리요

LSLS (read chapter in LS)

Si les objets inanimés qui rendent un son, comme une flûte ou une harpe, ne rendent pas des sons distincts, comment reconnaîtra-t-on ce qui est joué sur la flûte ou sur la harpe?

LUTLUT (read chapter in LUT)

Verhält sich's doch auch also mit den Dingen, die da lauten, und doch nicht leben; es sei eine Pfeife oder eine Harfe: wenn sie nicht unterschiedene Töne von sich geben, wie kann man erkennen, was gepfiffen oder geharft wird?

RSTRST (read chapter in RST)

И бездушные [вещи], издающие звук, свирель или гусли, если не производят раздельных тонов, как распознать то, что играют на свирели или на гуслях?

SESE (read chapter in SE)

Ciertamente las cosas inanimadas que hacen sonidos, como la flauta o la vihuela, si no dieren distinción de voces, ¿cómo se sabrá lo que se tañe con la flauta, o con la vihuela?

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The Textus Receptus (latin, "Received Text") is the Greek text originally compiled by Erasmus around 1516. Though the earliest work was prepared by Desiderius Erasmus, his work was later revised by Robert Estienne (or, Stephanus) and further revised by Theodore Beza. The text produced by each is substantially the same, aside from some minor variations. The Blue Letter Bible utilizes Stephanus' edition from 1550.

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1 Corinthians Chapter 14 — Additional Translations:

King James Version New King James Version New Living Translation New International Version English Standard Version Christian Standard Bible New American Standard Bible 2020 New American Standard Bible 1995 Legacy Standard Bible Amplified Bible New English Translation Revised Standard Version American Standard Version Young's Literal Translation Darby Translation Webster's Bible Hebrew Names Version Latin Vulgate Open New Arabic Version Morphological Greek New Testament Smith Van Dyck Arabic Bible Reina Valera 1909 Reina-Valera 1960 Bible in Basic English Chinese Traditional Union Espanol Moderno Korean Holy Bible Louis Segond German Luther Russian Synodal Translation Sagradas Escrituras

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Line-By-Line Order: Verse-Reference Reference-Verse Separate Line Verse Only Reference Only	Reference Delimiters: None — Jhn 1:1 KJV Square — [Jhn 1:1 KJV] Curly — {Jhn 1:1 KJV} Parens — (Jhn 1:1 KJV)
Paragraph Order: Verse-Reference Reference-Verse Reference-Only	Number Delimiters:* No Number No Delimiter — 15 Square — [15] Curly — {15} Parens — (15)
Other Options: Abbreviate Books Use SBL Abbrev. En dash not Hyphen	Quotes Around Verses Remove Square Brackets Sort Canonically

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